METAPHORICAL PERSONIFICATION IN UKRAINIAN TRANSLATIONS OF THE PROSE JOSEPH CONRAD

The study of the original and translated marine novels is still relevant. Considering longevity Ukrainian language creativity endless arsenal native tools for translating English novels, purpose given article to explore features metaphorical personification in translations Joseph Conradʼs «The Shadow-Line» by Olha Fyra «Typhoon» Mykola Roshkivskyi; find semantic bases idiostyle these texts, classify types detailing humanized realities sea element. research methodology consisted a continuous sample contexts with further analysis selected units, which distinguishing their bases. In researched are ship, has an inseparable «spiritual-bodily» connection captain; wind (storm, typhoon) – fierce emotional enemy sailor; waves aggressive frantic; as «twin» man appearance, behavior, state mind. components ʻdeificationʼ, ʻadmirationʼ, ʻcharmʼ, ʻemotionʼ, ʻprotectionʼ, ʻtrustʼ, ʻdelicacyʼ, ʻcompassionʼ, ʻdreaminessʼ, ʻanxietyʼ artistic figurative representation its varieties ʻmadnessʼ, ʻrageʼ, ʻforceʼ, ʻcunningʼ, ʻinsidiousnessʼ, ʻangerʼ, ʻsufferingʼ, ʻdisappointmentʼ; ʻaggressionʼ, ʻhateʼ, ʻfrenityʼ; ʻscarsʼ, ʻlonelinessʼ, ʻstupid shawlʼ, ʻdestructionʼ. special content images J. idiostyle, one could see symbiosis his practical experience ship captain subtle lyrical psychology romantic son Podillia, was organically represented translators. texts under include condensed integrally intertwined expressions integral main navigation. prospects future researches lie comparison studies linguostylistic instruments (Ukrainian) fiction.